Sinéad Ní Mhaonaigh: Snáithe

Central to this inquiry are enigmatic depictions of manmade structures, both ancient and modern, industrial and domestic.

In tracing a landscape in flux, these works can be loosely categorised into three groupings: canvas studies of organic structures, read as floral, mossy, or tree-like; linear and geometric forms, etched into smooth, silvery backgrounds; and a set of intricate works on board, incorporating vast asymmetrical arcs. Initially understood as the simple silhouettes of distant hills, these brooding forms become increasingly complex with further reading.

Part of the Dublin Gallery Weekend

Readers are advised to check with the venue before relying on the details published here.